April 17th, 2012

The process, the projects, the finished product: This is an inside look into how I create my Venetian plaster projects, making them come alive.

In this video, you’ll see steps used to create my Venetian plaster projects, including completed project photos of Classic, Carrara, Intonachino and Tadelakt plaster applications.

When it comes to my projects, it’s Stucco Italiano Italian lime plaster that is my one and only choice, and I think this video shows you why. When you think interior stucco think Authentic lime based Venetian plaster.

May 28th, 2011

If you know me, you know I’m a busy guy. It’s work, work, work, these days, and when it’s not about work, it’s about time with my wife, my girl, and the pups.

Needless to say, like most of us, I seldom get to do the projects around the home that I dream of doing.

That all changed in the last month, because not only did I finally get to do a bit of home reno that my family gets to enjoy, but I also got to try something I’ve wanted to do for a really long time — a heavy-duty Italian venetian plaster treatment to a bathroom shower stall.

This work was done in our main-floor bathroom, which had been wanting TLC for a while.

Doing any project for the first time, especially when it’s a bathroom, can make it hard to estimate all the work involved, so getting a chance to explore the process on my own time was great.

It was a major project by the time I finished, as you can tell by the end results, but what did it take to get there?

Here’s how the Home Shower Venetian Plaster Project evolved, start to finish.

This ’70s bathroom came with tons of cedar, which all had to come down. Luckily, it was installed by someone who didn’t make much effort to do it right, so only a couple nails in each board ensured they popped right off. Removing the shoddy work made investing time in improving the room that much more satisfying.

The first thing I wanted to do was move the shower-head up by about two feet. No one wants to crouch for a shower.

Before now, I never had the need, or an opportunity, to work with copper. I decided I’d take a kick at the copper can instead of calling a plumber, and working with the pipes was easier than I expected. I might do the odd fix-it job here and there now, but I’d certainly never do my whole place.

Next, I installed plywood. I’m sure some of you building guys out there are wondering “why not concrete board instead of plywood?”

It’s a preference, really. I find plywood’s just easier to work with, and it comes in big old 4×8-foot sheets, making for less cutting in some situations, but, most importantly, I find plywood’s a big help when it comes to installing lath. (Shown later.)

Next up was installing the water-proof membrane. Obviously a quality project is needed for a shower, and I used a local company’s product, called, “SuperSeal” you can learn more about it here.

Then came the lath, and that installation was definitely a two-person job. Getting the lath stretched into and around corners took a lot of force and grunt-work. As we got through that, here’s how it got to looking:

Finally, after all that, it was time to do what I love best — the plastering! First, I slapped up two coats of concrete so there would be a ½-inch seamless base for the lime plaster to build upon. Concrete’s not a pretty project — it’s sloppy, and it made a mess of both a floor and me.

Then came the wait. It took a week — six whole sleeps! — of waiting for the concrete to fully cure, and then I finally got to start the really, really fun stuff — the tinted lime plaster.

I went for a rich, warm colour palette, which really stands up well in the space. Here’s how it looks:

Like most weekend do-it-yourself renos, I ran out of time and some finishing still needs doing on the rest of the details. One day, the countertop will get changed out, and clearly the white curtain needs to go. I just need some 30-hour days, maybe.

It was a fun adventure, one that pays off every time I walk in the room.

Is plaster something you’d consider for a bathroom now? There are a lot of good reasons to choose plaster over tile or other options, and I plan to share that with you in the coming weeks.

Until then, keep checking back — lots of big projects are ahead!

Cheers,
Darrell Morrison

May 2nd, 2011

The trip home from Banff, Alberta, was an amazing seasonal drive. As I dropped from the Rocky Mountain highs to the Okanagan, then sea level, I saw things go from end-of-winter to lush and green, full of spring life.

I greatly enjoyed experiencing all four “seasons” this year, thanks to my cold-season work in the mountains and Alberta. It was mostly rain and a really mild winter in Vancouver, not one of our best years, but also not that unusual. It was a good time for a wintery change of scenery, but it’s nice (if a little soggy) to be home.

I’m getting back to making the rounds and taking on local projects. This past week, my team worked on two Valley projects — one in Maple Ridge and the other in Langley. The lengthy drives between home and the two projects took some adjusting, but it’s a great place to drive.

We just finished work on this smaller “feature” barrel ceiling’s plaster treatment. It’s one of those little jobs that starts and finishes quickly.

Italian Venetian plaster like this is where I began working in this trade, and those days kicked off what I hope will be a long and great career. It’s a real treat to work where I got my roots.

Smaller projects like this are always fun, too. Seeing the end result more quickly is a great pay-off compared to the visual impact but long work stint that doing a huge project comes with. I enjoy having a mix of both kinds of jobs.

January 10th, 2011

It’s great to be back in Banff!

The progress from other trades has been awesome! I’ve come back to see the millwork going up on our lime plaster ceilings in the dining room, and the drywall’s being installed throughout the home.

With such a positive start for the new year, we’ll have a super-productive month.

Having lost some time to travel early this week, we’ll be working straight through the weekend. We’ll be focusing on the kitchen, which means Venetian plastering the ceilings so we can finally take on the walls.

After arriving in town, we spent the week preparing all these areas for the next seven days of work. That meant we had to prime all the walls and ceilings, and float some walls to get them perfect and level so they’ll the right canvas for our work.

Old-school methods like floating walls don’t get a lot of talk on the home reno shows on TV, but they can really make the difference in the level of craftsmanship seen in work like ours.

Remember, we’re working with natural products like wood, and one warped 2×4 can mean a world of trouble for more than one trade on a job like this. Using today’s tools and yesterday’s know-how, our finishing techniques transform trouble spots that could make an elaborate plastering job like this seem less than perfect.

Sometimes, it’s what you don’t see at the end of the job that makes the difference between good work and great work.

Here’s the dining room. I can’t wait to see this room get further along!

The design is just amazing, and look at all the windows. I’m in love with the look of this space and keep trying to imagine the final result. With all the lines, the angles, the textures, the light, I know it will be stunning.

Below is a detailed shot of the first floor’s drop ceiling.

The architecture here blows me away, I can’t get enough of it! It demands that we spend way more time on the finishing work, sure, and our necks and shoulders are cramping up with the strain and effort it takes, but that’s the way it goes.

It’s honestly a privilege to work on such a high level of craftsmanship, in such an amazing natural setting, and if it takes an ice bag or two, that’s okay.

These ceilings are something else, aren’t they?

I think the slight sheen and subtle rustic texture bounce the light nicely while adding lots of character. What about you? Can you see this in a space for your project?

Can you imagine enjoying an Irish coffee, reading a mystery book, and the glow of a roaring fire casting shadows on this pitted ceiling? If you’re a designer, would your clients enjoy this?

Here’s a ceiling shot taken before the drywall was installed. You can really see the jagged edges and the revealed planks underneath.

Our work is literally cut out for us!

This is the biggest wall in the house, area-wise — and the tallest. We have an amazing design happening for this, which is carved in, with half-inch reveals. You don’t get to see how cool it looks until next week’s blog posting, though.

If you’re enjoying Week One of the exciting second phase of this big project in Banff, Alberta, then stick around for more excitement — now that almost all the prepping is done, you can expect to see change happening quickly and dramatically.

Stay tuned!

Wishing you a happy and healthy 2011,
Darrell Morrison

May 4th, 2010

The last few months, I’ve been working on a Tuscan lime plaster interior in a beautiful custom home tucked away in Burnaby.

I’ve gotta say, the architecture blows me away. It’s my first plaster project in the area, and the home definitely ranks in the top 5 fave homes I’ve worked on. With curved walls, dominant archways, stunning distressed-wood doors, what didn’t I love?

I was brought in to install a 4,000 square-foot Venetian Plaster effect. I’m nearing the 70% completion mark. Things will move along really quickly in the next few weeks, though.

Here’s a breakdown of what’s going on.

The materials of choice this time are Stucco Italiano and Intonachino lime plaster.

I choose to seal my Venetian plaster projects with penetrating sealer. This helps to repel moisture and oil. If you’re getting a great finish, shouldn’t it be protected for you to enjoy for decades? Yeah, I think so too.

Once the sealer dries, I’ll go over it with golden heavy-bodied glaze tinted to a light raw umber.

If I don’t do this overglazing step, the Tuscan plaster style looks too new and fresh — like the photo on the top left shows.

While I believe in sealing all my plaster, it’s really necessary if glazing Tuscan lime plaster. Why? It’s thirsty like you wouldn’t believe. If it’s not sealed before glazing, a catastrophe can happen. The raw umber glaze would stain the surface beyond repair — blotchy and horrible. The wall would need redoing from start to finish, and who wants that? I’ll get it right the first time.

This is also where being super-prepared before getting started means everything. If that glaze hits an unsealed wall next to the project, it could be a domino effect of colour catastrophes, so care always needs to be taken.

Check out these snapshots of some of last week’s great work. Catch you next time.

March 29th, 2009

This video briefly talks about sealing a lime plaster in a kitchen to prevent water and oil stains. The photos below show the look of the Venetian plaster after the sealer has dried.

September 15th, 2008

This is one of our current projects on the go located in the new district of south surrey, both bathrooms will be completed with Carrara Marmorino completion date is the 21st of September check back for the completed photos.

******* Update this is the finished shot of the master bathroom***** a dark grey finish with a hint of brown.