Tag: Textured Plaster Ceilings

I remember my parents telling me their stories about how hard life was “back in the day,” when they’d have to slog through heavy snow, up snowy hills, all while braving the freezing weather. Now that I’m working in Banff, I can finally tell my daughter the same kinds of stories.

Except that my stories will involve my struggles this week — hauling some 2,650 pounds of Italian lime plaster up a snowy, icy hill, down some stairs to the lower level’s entrance, and all in chilly -14 degrees Celsius weather.

Yep, just another wintery day’s work in Banff, Alberta.

Laying down the base coat

There’s a reason they call short people “vertically challenged,” and my work in Venetian plaster and the constant need to do ceiling treatments means I’m proof of the “challenged” part.

Ladder, please!

I often need a little extra height, and that perfect height still means a world of work but a lot less pain!


Living and working in one of the mildest climates in Canada means I’ve never experienced the difficulties of building in high-altitude severe winter climate like that found here in Banff.

I’m enjoying seeing how different practices are needed for success here, and I’m super-impressed with how the builder deals with nature’s wrath, tenting exterior areas so the work on the home’s landscaping can continue throughout the season.


This is the exciting part, for me! Just last week, the main floor had barely any drywall hung. That was then and this is now! The build team has really pulled together, everyone’s always on the move, and they’re working as a team to get ‘er done. There’s a lot of good nature on the build site, with everyone being very friendly and communicating clearly, all things that are very important to me in a work environment.

It feels wrong to post without sharing another photo of the area. Here’s the town as we head to our lodgings after a day at the job site.

Banff is such a lovely place. I have so much more of it to experience while I’m here, and that’s really exciting. It’s not just a mountain town, it’s a winter wonderland, and it’s feeling like an epic journey’s just getting started. Thanks for following the experience!

Cheers,

Darrell Morrison

This Week’s Banff Trivia:

 

Geologists report that the Rocky Mountains that make up Banff National Park are 45 to 120 million years old. In just the national park alone, one can find more than 1,000 glaciers — but only if they wear really, really rugged hiking boots!

Early last Monday afternoon, I drove past a sign reading “Welcome to Banff, Alberta.”

Over the next three months, I’ll be working on an amazing, extremely customized home that backs onto Banff’s beautiful Bow River.

Along with everything else that blows me away about this house is the fact that I think it has the most stunning millwork I’ve ever encountered anywhere. Entering this amazing home felt like I’d just walked into some mind-blowing 5-star hotel in, well… Banff.

To add to the dramatic millwork and scenic setting, I’ll be using rich, deep earth-tone colours that complement the amazing nature all around us here in these legendary mountains. The plaster will be a 4-coat slightly-pitted Intonachino lime plaster finish.

The Canadian Rockies, where Banff is found, is known for its stone, exposed rockface, forests, and generally rugged terrain. I think this Italian lime plaster will really rock the Rockies, and it’ll be a commanding, dramatic feature in this impressive home as it stretches throughout the place, on all three levels.

I know this mountain town will be an amazing and inspiring place to work during the winter months. Come spring, if the owner converts the place into a “mountain stronghold,” it’ll be a beautiful place to hole up and easily forget about the rest of the world.

 

Banff is the highest town in Canada, sitting at an elevation of more than 4,500 feet (about 1,380 metres), nestled in the heart of the Canadian Rockies. It was declared Canada’s first national park in 1885, and today is a UNESCO World Heritage Site, with a protected area of more than 7,700 square miles.

The Bow River, which this home backs onto, originates from the Bow Glacier and Bow Lake. It flows for 587 kilometres, joins with the Oldman River to become the larger South Saskatchewan River, and eventually spills into Canada’s famous Hudson’s Bay, halfway across the country.

Here’s a teaser video of my current project — some of the Venetian plaster we’ve completed so far in this home, using distressed red & orange Intonachino, with a raw umber glaze that I finished off with a highly-polished wax.

Since early June, I’ve been working on this large full-interior lime plaster project. By “large,” I mean a whopping 10,000 square feet.

For me, I find it really amazing to see all the progress as I watch the Venetian plaster come together, and I thought I’d share some photos of the process so far, since I think you’ll like it.

This really is a massive project and something like this needs a lot of careful work even before it begins. With 10,000 square feet to dress up, it took a lot of colour-picking with the clients. We had eight colour changes and it was quite the struggle to nail the exact texture, but we stuck to the discussion until everyone was happy — something I don’t take lightly. I’m always up for making sure my clients have what they want on the palette before we get going. Isn’t that the whole point of the work? The client?

To start the project, I finished the ceilings off with Stucco Italiano’s Intonachino X-Fine because, with it, I could create the perfect amount of distressing in the texture.

We got the ceilings done before a final colour had been chosen for the walls. Was that a dilemma? Yup, you bet it was. We started on the walls anyhow, and the whole project slowed to a crawl because we could only basecoat the walls while I continued working towards the orangey-gold tones the client was after.

I find one of the tough things for clients is how to visualize the way things will look in the end. I’m an artist, I can visualize, but I understand why they can’t. Thankfully, technology’s starting to really make life simpler that way. I recently picked up an Apple iPad and loved how easy it made the client’s colour decision after I used it to highlight a few scenarios.

With my iPad, I pulled up some photos of both projects and concepts I thought would work well in this client’s space. I used it to show how using two colours can add a great deal of interest and movement on the walls. Doing all of this on a jobsite on a Sunday was a great deal of fun for me. I showed the client on the iPad, then jumped right into mixing a sample and showing the client how it all comes together in reality, right then and there.

With the iPad showing a wider vision and my skills showing the up-close in-person look, the colour and finish got approved, and here I am, already done with the main floor!

Here are some of the pictures of what’s happened so far, and I hope you enjoy them as much as the client does.

On June 1st, I begin a great project — a 10,000 square-foot (Venetian) lime plaster interior. This project calls for a smoother finish with minimal texture, a “Tuscan” influence.

To get that look, I’ll be using Stucco Italiano Intonachino.

For an accent in the basement level, I’ll be creating a woodgrain finish (also known as faux bois) for all the crown moulding.

This home has a view to die for and architecture I’m excited to be taking to another level with my finishing techniques. I’m scheduled to reach final completion in early August.

With a Tuscan/Mediterranean feel throughout this home, getting the perfect colour so a client can be comfortable with their final decision is a tough task, but it’s got to be perfect — just look at the stunning architecture! Anything less than perfect would be a crime.

You might wonder how a “young” guy like me in this industry is landing big projects like these large interior Venetian plaster jobs, but I think my work speaks for itself — and it should, anyone’s should. I love the work I do, I do it the best way I can, I use the best materials that are available to me, try to deliver the best customer service, and have finished work that blows expectations away.

Whether it’s in my work’s detail or in the way I work for my clients, I know it’s the little things that make the difference. My guys and I are tidy and clean, flexible, and we all know how to work well with other trades.


Isn’t that how it should be?

Enjoy the read and the photos.

Cheers

Darrell Morrison

The last few months, I’ve been working on a Tuscan lime plaster interior in a beautiful custom home tucked away in Burnaby.

 

I’ve gotta say, the architecture blows me away. It’s my first plaster project in the area, and the home definitely ranks in the top 5 fave homes I’ve worked on. With curved walls, dominant archways, stunning distressed-wood doors, what didn’t I love?

I was brought in to install a 4,000 square-foot Venetian Plaster effect. I’m nearing the 70% completion mark. Things will move along really quickly in the next few weeks, though.

 

Here’s a breakdown of what’s going on.

 

The materials of choice this time are Stucco Italiano and Intonachino lime plaster.

I choose to seal my Venetian plaster projects with penetrating sealer. This helps to repel moisture and oil. If you’re getting a great finish, shouldn’t it be protected for you to enjoy for decades? Yeah, I think so too.

 

Once the sealer dries, I’ll go over it with golden heavy-bodied glaze tinted to a light raw umber.

 

If I don’t do this overglazing step, the Tuscan plaster style looks too new and fresh — like the photo on the top left shows.

While I believe in sealing all my plaster, it’s really necessary if glazing Tuscan lime plaster. Why? It’s thirsty like you wouldn’t believe. If it’s not sealed before glazing, a catastrophe can happen. The raw umber glaze would stain the surface beyond repair — blotchy and horrible. The wall would need redoing from start to finish, and who wants that? I’ll get it right the first time.

 

This is also where being super-prepared before getting started means everything. If that glaze hits an unsealed wall next to the project, it could be a domino effect of colour catastrophes, so care always needs to be taken.

 

Check out these snapshots of some of last week’s great work. Catch you next time.

This past week I was working on a Metallic Bronze & Copper Distressed Ceiling in a lovely home in Morgan Creek.  I was very excited, as it has been a while since I’ve done a plaster ceiling finish in this style I’d say almost 3 years to be exact and I truly enjoy this type of decorative finish.  A break down of the work involved begins with applying a black base  metallic plaster made by Golden after that is left to dry over night. I then return to apply the bronze plaster also made from materials made by Golden.  Once the texture is created and the designer likes what she see’s the final step is “waxing”.  Now for this step I like to us an old school material called Bri-Wax. I don’t mind sharing the information as its a easily available in most cities. One thing I will tell you is this stuff has a nasty and strong odor.  One more step to go adding copper mica flakes to the wax, this involves melting the the materials in order to make that possible, I advise using caution if you choose to attempt this your self as this portion requires a high degree of safety.

For this project the main goal was to repair the ceilings. There had been some major cracks cutting through in a straight line for sometime in this home after a major renovation. Now I know most people dread the thought of having to work above their head especially doing a Lime plaster finish. For me though its just another day at the office. I love ceilings, they have a feeling of a challenge like hiking a mountain or running in a marathon. You see when you start any venetian plaster finish their is no stopping you must complete the task. So if I am distressing a 300 square foot ceiling I have to complete it in that day. The beauty of this project was the creativity, I was able to come up with ideas like the rosettes, which added a great deal of architectural detail. I hope you enjoy the video.

Cheer’s

Darrell Morrison

If you would like to see the video in High Definition click this link
http://www.youtube.com/user/MorrisonDarrell

Welcome to my news letter. Inside you will find detailed information of my recent projects and favorite finishes. You can view it here

The features in this issue include

1. “Uniquely Daring” a subtle carrara marmorino feature wall

2. “Inspirational Thoughts” for you or your clients design ideas

3. Featured project “Diplomatic Immunity Clothing Inc. On South Granville, A classic white venetian plaster with a twist.

4. “The Grand Entrance” a full interior paint project in Tsawwassen including lots of wood finishing and wood graining a lost art.

Leave a comment and let me know what you think??

Today I finished the texture coat of the master bedroom ceiling inlay. At this point the finish looks very stark and incomplete most people on the project mentioned there dislike to the colours chosen, i sent them back into the room after completion of the glazing and waxing layer they all liked the final product.


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